Thanks to Vanessa Gravenor‘s article in THE SEEN, Chicago’s International online journal of contemporary and modern art, on our collective (Anonymous Stateless Immigrants Collective) and performance/intervention in Museum of Warsaw Uprising and Frontex: ‘It’s about a society in free fall… Frontex acts as a type of Donald Trump border policing, but in liquid form. Further interventions of ASI Collective included carrying a casket outside of Frontex’s headquarters in Warsaw, and singing a Jewish mourning song. Frontex’s is the EU’s border control that goes as far as “rescuing” refugees crossing the sea, but then always taking the refugees back to their war torn countries.’
We got invites to go to Komenda policji (police office) on 4th of October, all 5 Polish participants of the actions. Ehsan Fardjadniya and Dorian Batycka were not invited, and it’s highly unlikely they will be.
In the text below, we like to make our artists statement public in regards to our intervention in Warsaw Uprising Museum and Frontex headquarter in Warsaw.
The PDF below is a factural Report of Our Performance and Intervention at Warsaw Uprising Musuem and Frontex Office.
On August 3rd, 2016 our performance took place at around 14:00 hours in the Warsaw Uprising Museum, Grzybowska 79, Wola district, Warsaw, Poland and moved to Frontex headquarters.
This document is written by Ehsan Fardjadniya, a member of performance group who was atained at frontex office behind close door by security guards.
A contemporary version of Warsaw Uprising 1944 pamphlet is ‘Refugee Uprising Manifesto 2016’. We will place this tomorrow at the heroic, nationalistic and military Museum of the Warsaw Uprising. There will be more interventions planed in the museum as well as in fornt of Frontex (Agency of European border control), ironically situated few meters away from the museum.