Where is Stammheim?’

Performance ‘Where is Stammheim?’ With work of Olaf Metzel in the garden of Wuttembergischen Kunstverein Stuttgart. This performance happend during the building up of “Hinterland” After “Stage for Tragedy”.

About:
Where is Stammheim (1)? Or where is Stamm Heim (2)? Where is home? Where is the prison? Where is exile? Are you home in exile? Can you feel home in prison? Can prison become home? Does a shelter, a place to refugee still exist? Where are the boarders of prison? How can you escape that prison? And where would you go after crossing the boarders of that prison? The last question reminds me of the moment when Truman touches the walls horizon in the end of the sea.

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  1. Stammheim is a maximum-security prison in Stuttgart, Baden Wuttemberg, Germany. An extra secure part was added to the jail to confine the Red Army Faction leaders as well as trial courthouse. The prison is where the “Dead Night” happened. A night when four leading members of Red Army Faction committed successful suicide, accept the fourth member Irmgard Möller who survived her suicide attempt. She stated that the deaths where no suicide but rather undertaken by the German government.
    2. Stamm means tripe and Heim means home in German. Although the combination of words in such order and with space in between is not used in German language.

Where is Stammheim? from Ehsan Fardjadniya on Vimeo.

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Related Article:The Built Environment and Carcerality‘ by Egbert Alejandro Martina. Quote:

“Mi mama no tin plaka                            My mother doesn’t have any money
Hinka mi den un doshi                          Put me in a box
Manda mi na Hulanda                           (And) sent me to the Netherlands
Ora mi a yega Hulanda                          When I arrived in the Netherlands

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An old Curaçaoan children’s song”

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‘Hinterland’ in Post-Peace Exhibition at Wuttembergischen Kunstverein Stuttgart

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‘Hinterland’ installation in Post-Peace exhibition at Wuttembergischen Kunstverein Stuttgart

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‘Hinterland’ after ‘Stage for Tragedy’ installation sketch

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Alexandra Exter Stage for Tragedy drawing 1924

Hinterland’* after ‘Stage for Tragedy’ (interpretation of Alexandra Exter’s drawing for a stage setting for a tragedy in 1924) at Post-Peace** exhibition  at Wuttembergischen-Kunstvereins from 24th Feb. (opening) to 7th May 2017.

24th February: Ongoing performance ‘I Must Seek Refuge Again

26th February: Ammunition boxing*** Performative talk (Schlossplaz and Stuttgart Central Station) starts at Schlossplaz with quatrains by 11th century Persian poet Baba Tahir and reading of The Schuman Declaration (from 9 May, 1950), Ammunition boxing will round up with The Laments of the Anonymous Stateless Immigrants — the story of ‘Consumer’s Control’, a post-artistic anti-fascist performance by Ehsan Fardjadniya at Stuttgart train station.

*Hinterland is a place between two lands
it isn’t the mainland, it isn’t my motherland

They say it is a port of fabrication, with no shine in its sand
you should leave from it, as far as you can

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Article in THE SEEN, Chicago’s International online journal, on Anonymous Stateless Immigrants Collective and intervention in Museum of Warsaw Uprising and Frontex

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Thanks to Vanessa Gravenor‘s article in THE SEEN, Chicago’s International online journal of contemporary and modern art, on our collective (Anonymous Stateless Immigrants Collective) and performance/intervention in Museum of Warsaw Uprising and Frontex: ‘It’s about a society in free fall… Frontex acts as a type of Donald Trump border policing, but in liquid form. Further interventions of ASI Collective included carrying a casket outside of Frontex’s headquarters in Warsaw, and singing a Jewish mourning song. Frontex’s is the EU’s border control that goes as far as “rescuing” refugees crossing the sea, but then always taking the refugees back to their war torn countries.’

Link to the article: http://theseenjournal.org/art-seen-international/anonymous-stateless-immigrants-collective/

With: Ehsan Fardjadniya, Dorian Batycka, Edka Jarzab, Damian Cholewinski, Aleka Polis, Lukasz Wojcicki and Sebastian Cichocki.

 

 

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Factual Report of Our Performance and Intervention at Warsaw Uprising Museum and Frontex Office

The PDF below is a factural Report of Our Performance and Intervention at Warsaw Uprising Musuem and Frontex Office.

On August 3rd, 2016 our performance took place at around 14:00 hours in the Warsaw Uprising Museum, Grzybowska 79, Wola district, Warsaw, Poland and moved to Frontex headquarters.
This document is written by Ehsan Fardjadniya, a member of performance group who was atained at frontex office behind close door by security guards.

Link to PDF document of ‘Factual Report of Performance/intervention at Warsaw Uprising Museum and Frontex